It's All in the Milieu Essay Example | Topics and Well Written Essays - 1000 words

Its All in the Milieu - turn up ExampleIn most of these cases major changes are make to the text to render it into deal in the first place, and then when a second film adaptation is made. The Lord of the Rings, for instance, left entire sequences of the film out, such as the adventure to Tom Bombadil, drastic eithery changed the age of the characters (reducing Frodos age from 50 to 30), changed their motivations (having Faromir pass by the same way Boromir did) and so on (Tolkein 1955). These changes are made for a number of reasons, including needing to cut belt down from a novel to a film, to create suspense, or so on. Rarely, however, a book can so readily be made into a film, that these changes are unneccsary. Such was the case with psychotic, its Alfred Hitchcock adaption, and the remake of that film Psycho (1968). While most elements of these three works were nearly identical they are perceived very other than Alfred Hitchocks Psycho is hailed as a masterpiece, while the 1 998 remake has been widely panned. This demonstrates that each story must exist in its time and its place, and something removed from its milieu will be entire unsuccessful. The plot of all three works is largely identical. In each case, a woman, Marion, steals a large sum of money, finds herself at a lonely hotel, and is then hit by a mysterious character ostensibly the proprietors amaze (Bloch 1959, Hitchcock 1960, avant-garde Sant 1998). When the womans family gets worried, they go looking for her, hiring a detective to discover what happened to her. This detective gets murdered by the same figure (Bloch 1959, Hitchcock 1960, Van Sant 1998), with the hotel proprietor still covering up his mothers actions. The family then investigates for themselves, eventually finds the mother is in fact the sons delusion, as his mother died in a murder-suicide years before, and that the proprietor, Bates, has been living in a codependent relationship with his dead mother ever since (Bloch 1 959, Hitchcock 1960, Van Sant 1998). This novel did non have to be adapted significantly for the screen the only major changes made were the methods of killing, with the decapitation of the novel usually being replaced by a stabbing off screen in the film versions, which presumably would add to the horror but reduce the gore, which can be much more than impactful on screen, and would detract from the psychological nature of the story (Bloch 1959, Hitchcock 1960, Van Sant 1998). That the novel is close to the film versions is not surprising close remakes can often be accomplished in the case of short novels and tenuous film-makers, such as with Jurassic Park, (or, indeed, many other Michael Crichton novels). What is surprising, however, is that the two films were so similar the 1998 film was most a shot-for-shot remake of the 1960 film. They both used the same screenplay by Joseph Stefano (IMDB 2012a), and thus were identical in toll of words, but Van Sant also mirrored almost every camera motion that Hitchcock made. The only differences came in a small number of shots the opening shot of the Hitchcock film, for instance, was a long zoom that had many fades separating separate zoom sequences, while the Van Sant film was a single long zoom this was changed because Hitchcocks sure desire was to have a single long shot, but this was not possible based on technology of the time, while in 1998 it had become possible